By: Angie Haddock
Isda does not exist. At least not beyond the opulent walls of the opera house.
This one was outside my normal, but I feel like it’s good to read things that are new and different. I’d definitely put this in the realm of fantasy, but it also had a historical/classic vibe. I mean, where else have we seen a creature hiding in the shadows of an opera house? (Several blurbs about this one have already called it a gender-swapped “Phantom of the Opera.”)
Ostensibly, this takes place in a fictional town that seems to be in France. The period is probably more than a hundred years ago, as there are guns (rifles) but people ride in carriages or on horses. These things are pretty similar to our real world.
There is a definite mythology built here, though, and it involves creatures called fendoirs and gravoirs. These look like humans, but they have deformed faces. They also have powers to either steal or manipulate memories. Fendoirs are allowed to live in society, although with many restrictions. Mostly, they serve an economic purpose. Gravoirs, whose powers are greater, are killed at birth.
Our main character, Isda, is a gravoir. Since she should not have been allowed to live past birth, her reasons for needing to hide are obvious. She serves a purpose at the opera house, though – she manipulates the audience’s memories of the performances to make them all great, and erase any parts that went wrong. This inflates the reputation of the opera house, and Cyril, the man who runs it. Eventually, Cyril calls on Isda to use her powers to inflate his own political reputation, too.
Inevitably, Isda meets a boy. Emeric is roughly her age, and she is initially drawn to him because he has a fabulous singing voice. (She was raised in an opera house, after all, so she knows a lot about singing.) Rooting around in his memories, however, she realizes that he also knows more about gravoirs than she does. This leads her to start digging around to learn more about her powers. Both the digging and the experimenting/growing her own prowess lead to various sorts of trouble.
Toward the end, Isda is eventually found out. She must race and fight for her own life and Emeric’s. The ending is destructive and bittersweet.